Through So That You Know (Para que lo sepas), I wanted to explore the imprint left by a fleeting encounter — in all its fragility, beauty, and significance. The film unfolds within a sensitive, almost sensorial narrative, where words take shape through places. Each step along the way becomes a suspended moment between memory and reality. The direction lingers on silences, glances, restrained gestures. It is not about reconstructing a love story, but about revealing its echoes — what is said afterward, what surfaces once the other person is gone. The viewer is invited to experience this intimate journey alongside the host, between the traces we leave behind and those we discover within ourselves. The final scene, like a mirror, shifts toward a more metaphorical dimension: what if memory itself became a physical place? By projecting the host into a simulation, the film also offers a gentle reflection on emotional immersion — on what we replay within us, again and again, in order to prolong a bond that once meant something.